Sammy Van den Heuvel — scenography

Each space grows within a specific frame that is formed through conversations; with the director, with the choreographer, with the text, the music, the material, with the dramaturg, with the production team, with the artists and builders in the workshops, with the stage technicians. Ultimately, the built space engages in a conversation with the performers, and, through them, in a conversation with the audience.
Wozzeck

Seraphim
No yogurt for the dead
Tipping point
Angel's bone
Le nozze di Figaro
The man who fell from the sky
A safe space for male bodies
Szenen aus Goethes Faust
The world’s wife
Vanishing point
Die Vorüberlaufenden
The future is not what it used to be
Solitary dialogues
Solitude
Each time we fall a city rises
Quartett
A requiem for lost things
Als niemand me ziet
Totentanz
#truth: ein sokratischer Abend
Ich rufe meine Brüder
3000 Euro
Ich bin wie ihr, ich liebe Äpfel


sammyvandenheuvel@gmail.com
Each time we fall a city rises 

Trying to get a grip on a world of lines and sloping planes — an architectural perspective drawing turned into a three dimensional object — the performers are confronted with their fear of losing control. It’s only when they let go that new perspectives open up.


concept and choreography    Pia Meuthen

dramaturgyAngelique Willkie

scenographySammy Van den Heuvel

costume designSanne Reichert

light designBart Verzellenberg

musicStrijbos & van Rijswijk and Anthony Fiumara

/Panama Pictures 2019

(c) Sammy Van den Heuvel
(c) Sammy Van den Heuvel
(c) Sammy Van den Heuvel