Sammy Van den Heuvel — scenography

Each space grows within a specific frame that is formed through conversations; with the director, with the choreographer, with the text, the music, the material, with the dramaturg, with the production team, with the artists and builders in the workshops, with the stage technicians. Ultimately, the built space engages in a conversation with the performers, and, through them, in a conversation with the audience.
Wozzeck
Seraphim
No yogurt for the dead
Tipping point
Angel's bone
Le nozze di Figaro
The man who fell from the sky
A safe space for male bodies
Szenen aus Goethes Faust
The world’s wife
Vanishing point
Die Vorüberlaufenden
The future is not what it used to be
Solitary dialogues
Solitude
Each time we fall a city rises
Quartett
A requiem for lost things
Als niemand me ziet
Totentanz
#truth: ein sokratischer Abend
Ich rufe meine Brüder
3000 Euro
Ich bin wie ihr, ich liebe Äpfel


sammyvandenheuvel@gmail.com

Seraphim

Together with French mezzo Lucile Richardot, B’Rock’s Vocal Consort and chamber musicians honor female composers from the early Middle Ages to the present day.

As the music resounds an almost immaterial column dances to the changing airflows in the concert hall, evoking a mystical presence that binds the many-facetted musical landscape. 

The concert was staged in De Bijloke Ghent and the Philharmonie Essen.

musical direction       Andreas Küppers

dramaturgyAlbert Edelman

staging, scenography and light design  Sammy Van den Heuvel

/B’Rock 2025