Sammy Van den Heuvel — scenography

Each space grows within a specific frame that is formed through conversations; with the director, with the choreographer, with the text, the music, the material, with the dramaturg, with the production team, with the artists and builders in the workshops, with the stage technicians. Ultimately, the built space engages in a conversation with the performers, and, through them, in a conversation with the audience.
Wozzeck
Seraphim
No yogurt for the dead
Tipping point
Angel's bone
Le nozze di Figaro
The man who fell from the sky
A safe space for male bodies
Szenen aus Goethes Faust
The world’s wife
Vanishing point
Die Vorüberlaufenden
The future is not what it used to be
Solitary dialogues
Solitude
Each time we fall a city rises
Quartett
A requiem for lost things
Als niemand me ziet
Totentanz
#truth: ein sokratischer Abend
Ich rufe meine Brüder
3000 Euro
Ich bin wie ihr, ich liebe Äpfel


sammyvandenheuvel@gmail.com

Totentanz 

August Strindberg explores the complexity of love and resentment that can coexist in human relationships.

Living in an old prison on an isolated island, Edgar, a captain in the coast artillery, and his wife, Alice, endure a life filled with unhappiness and emotional tyranny. The arrival of Curt, Alice’s cousin, introduces tension and potential shifts in their stagnant lives, particularly when Edgar falls ill. As they navigate their fraught relationships, the struggle for dominance and control becomes increasingly evident, culminating in Edgar's death. 


direction    Liliane Brakema

dramaturgy    Heiko Voss

scenography and costume design  Sammy Van den Heuvel

light design  Mario Bubic

music Bauke Moerman

/Theater Freiburg 2017